A few hours before polling stations closed last Thursday, I travelled to west London to watch an extraordinary film about Syria. Silvered Water: Syria Self-Portrait (2014) is composed almost entirely of footage shot on mobile phones and uploaded, anonymously,onto YouTube. Some of it is also the remarkable work of Wiam Simav Bedirxan, a Kurdish woman surviving and filming tenaciously in the city of Homs. The film moves back and forth between Syria and France, to Paris where its Syrian director, Ossama Mohammed, lives in exile. The violence feels relentless: we see a young man being tortured, a truncheon thrust up his arse; another sitting upright in a plastic chair, his face blown off in shreds; we see the carefully wrapped bodies of dead children; the grief of weeping women; we see a kitten chewing the insides of a dog; and a pair of dead horses, starch stiff on a Homs street. It goes on and on and on.
Full piece continued here