Teasie Weasie does Dors

Wish I’d known about this fabulous picture when I wrote this.

teasieweasiedianedors

Teasie Weasie Raymond slips a hair-pin into Diana Dors’ astoundingly blonde bun. With huge thanks and wowzers to Rob Baker, who has an intriguing website here.

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Hampton Court (ii)

Hampton Court and more October 2013 159

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February 23, 2014 · 1:53 pm

finding Facchinetti

They rose early, having decided to keep that morning clear. They took their tools to the corner of the room and, carefully, with a routine that only an old couple could share without prior planning, began to unscrew the cupboard that, 43 years earlier, Mr M had worked into the wall as a place to store their shoes. A steaming pot of tea cooled above the fireplace; they worked with such focus that they forgot to pour any into the two white mugs waiting on the tray.

When the cupboard eventually came down, it was as she had expected. ‘I told you,’ she said, breaking into laughter, ‘I told you he’d be there.’ Mr M nodded. He couldn’t disagree with her, she was often right about things like this. There he was, Paolo Facchinetti, with a small brush and a pot of black paint at his feet. ‘I was just trying to capture the mould,’ the painter said, ‘before the summer comes and dries it away.’ Mrs M chuckled still more, nudging Mr M with her elbow. ‘I told you,’ she said. ‘I told you.’

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Welcome Back Master

The words were spoken, D was certain, by his hand. On the desk, where he must have left it the night before, it seemed to hover. He looked a little more carefully. He noted that the base of the wrist was resting lightly upon the green faux-leather panel. He looked at his right arm. His hand was there at the end of it. He held it up to his face and moved the fingers. He touched the fingers of his right hand, one by one by one, with those of his left hand. They were all there. Yet the hand on the desk was real. It was twitching, spinning the mouse-wheel, and talking. He felt no corresponding twitch in the hand at the end of his arm. Or perhaps he did. He watched the hand on the desk, observing the way it handled the mouse, and the corresponding changes on his computer screen. He thought he felt a buzzing in the middle finger of his own right hand, but it was just a trace, as if an ant was trapped beneath the surface of skin at the tip. Surely the hand on the desk was his own right hand? He wanted to sit at the desk. He wanted to start work. But what to do with the hand? He was afraid. He pulled back his office chair, which moved easily on wheels. As he positioned himself in front of it, and sat down, the hand on the desk rose up to the vertical. D almost expected it to wave. He pulled himself in towards the desk, using his feet and also his fingers, which pulled on the wooden ridge that framed the furniture. As his body came in tight towards the desk, his legs slipping underneath it, the hand on the desk turned at 180 degrees so that its palm was facing D. Immediately, he snapped his own right hand under the desk, fearing some kind of assault. But the hand before him remained completely still before dropping into a low bow. The fingers flattened down, spreading straight towards D. When the hand rose again, back to its upright position, it spoke those same three words, the ones he’d heard when he’d opened the door.

[With thanks to Benedict Drew, Heads May Roll, 2014]

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Theberge

Light in Theberge Room

The light looks so inspiring, until you see this. The names look so inspiring too — there’s a Miles Room and a Davis Room — but there’s not a trace of jazz in the soft furnishings. I will just have to find my inspiration elsewhere — from the very eminent people and all the interesting things they will have to say.

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hampton court (i)

Hampton Court and more October 2013 157

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February 19, 2014 · 11:15 am

the idea of tragedy

M was trying to help him understand why she had been so moody, she was trying to explain that it wasn’t his fault. ‘My entire life is leaking,’ she said, again. But he would only look at the heavy cat asleep on his lap, not at her. She told him about the pale blue tiles that lined their street. ‘They look like they are made of marble,’ she said, yet she’d never noticed them before this winter. ‘Because they weren’t there before this winter, John. I know it. I would have seen them because I look down.’ She sensed he was puzzled, but still he wouldn’t look up. ‘I’m afraid, John. I’m really afraid. It’s like the Victorians are coming back to get us.’ Her shoulders began to shake, and she wept onto the back of her hand. Still, he didn’t move. He didn’t think to comfort her. Ever since the big storm, their bedroom had painted itself in yellow and brown stains. It happened in the space of a single night. They woke to find the walls either side of the chimney stack covered in swirling patterns that reminded John of an old tye-die T-shirt he’d had as a boy. ‘It’s just a spot of damp,’ he’d said to M. ‘It’ll dry come the summer.’ But she wouldn’t hear of it. She’d started to pick at the worst spot, obsessively, like it was a scab on her knee, and eventually she’d dug a small channel into the outer wall. Now, when the heavens opened, the water found the crack. It dribbled through, in a small stream, and ran down the wall towards the carpet. John had put an old ice-cream tub down to catch the worst of it, but it wasn’t really working. Back in the day, they would have put aside some time at the weekend and fixed the hole together. They would have laughed and played music and turned the DIY into a game. They would have sorted the damp, and had a whole lot of fun. But it wasn’t like that any more. M seemed to have reached a point of saturation, and instead of fixing things, she worked to speed up their decline. ‘It won’t help either of us,’ John had found himself repeating over and over. ‘It’ll just make things worse.’ But, deep down, he envied her decision to bend with the times. When she spoke of her life leaking, he knew that he was the one being washed away. Not her.

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